Dunstaple (Oxford Studies of Composers)

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Instrumental doubling of voices, soft colors including viol, recorder, douchaine, lute. They employed a technique of juxtaposing dots of primary colors to achieve brighter secondary colors, with the mixture left to the eye to complete (pointillism). As with the Cubism of Picasso and Braque, the Salon or Section d'Or group did not continue coherently after WWI, having only sporadic exhibits between 1918 and 1925. We present new wavelet templates incorporating initial scarp slope and above- and below-scarp surface angles to better describe the curvature of observed fault scarps.

Pages: 96

Publisher: Oxford University Press (October 29, 1981)

ISBN: 0193152258

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