By Spencer Leigh
This interesting e-book examines the best Beatles secret, which has triggered unending hypothesis over the years—why was once Pete top sacked simply because the Beatles stood at the threshold of stardom? This ebook is the last word reaction to this question written via a number one specialist at the heritage of the Beatles.
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This exciting publication examines the best Beatles secret, which has prompted unending hypothesis over the years—why used to be Pete most sensible sacked simply because the Beatles stood at the threshold of stardom? This ebook is the final word reaction to this query written by means of a number one professional at the historical past of the Beatles.
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Flutter Echo Although the main resonance problems in studio rooms are at low frequencies, you can also get higher-frequency resonances too, often referred to as flutter echoes. The simplest test for these is clapping your hands in the sweet spot and listening for any hint of unnatural metallic-sounding buzz as the sound dies away in the room. If you’re suspicious, then another patch of acoustic foam on one or both of the offending parallel surfaces should put an end to it with minimal fuss because high frequencies are so easily absorbed.
Using Nearfield Monitors Chapter 1 So what does this mean in practice? Well, the first thing to say is that even a single room mode can easily push its resonant frequency 20dB out of kilter, so only a flying pig is likely to find a listening position that gives a faithful spectral balance when several room modes are active at the same time. 8. To be fair, room modes tend to affect primarily the lower half of the audio spectrum, by virtue of the fact that higherfrequency resonances are much more easily damped by normal room decor, but the remaining sub-1kHz disaster area is more than enough to scupper your hopes of making objective decisions about a mix.
Basically, with that lot in the bag your nearfield monitoring shouldn’t be any excuse for turning in duff mix work. Now before I’m lynched by a posse of high-end speaker designers, acousticians, and mastering engineers, let me be clear that the setup I’m recommending here will still be far from perfect. But perfection is not the point of it, because the trick to achieving reliable commercial-grade results on a budget is to use affordable nearfield systems for what they’re good at, while employing cheaper and more specialized monitoring equipment to fill the gaps in your understanding of the mix.