Dance Music Manual: Tools, Toys, and Techniques (2nd by Rick Snoman

By Rick Snoman

No matter what your point of expertise, the Dance tune guide is filled with sound recommendation, suggestions, and useful examples that will help you in attaining expert effects. Written through a qualified manufacturer and remixer, this booklet bargains a accomplished method of tune construction, together with wisdom of the instruments, gear, and various dance genres.

Get extra suggestion and assets from the book's professional site, www.dancemusicproduction.com.

* up-to-date moment version comprises sections on recording tools and new chapters overlaying extra dance track genres.
* Examines all points of song production-from sound layout, compression, and results to blending and studying to publishing and promoting-to assist you turn into a greater producer.
* The better half CD presents pattern and instance tracks demonstrating the thoughts utilized in the publication.

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Additional resources for Dance Music Manual: Tools, Toys, and Techniques (2nd Edition)

Sample text

Over two hours of top-quality, live performances are now available to ENJ users—to Instructors on DVD and to students, who will be able to access these works, streamed from StudySpace (registration code required). Instruments of the Orchestra DVD Recorded at the Eastman School of Music, this DVD shows all the instruments of the orchestra—forty-five of them, including eleven percussion instruments—in action. Ideal for classroom use, this easily manageable, high-quality, full-screen DVD allows instructors to select video clips alphabetically or by instrument family and includes complete descriptions of each instrument.

Harmony describes the simultaneous sounding of notes to form chords and the progression from one chord to the next. Harmony therefore implies movement and progression. It is the progression of harmony in a musical work that creates a feeling of order and unity. The intervals from which chords and melodies are built are chosen from a particular collection of pitches arranged in ascending or descending order known as a scale. To the tones of the scale we assign syllables, do-re-mi-fa-sol-la-ti-do, or numbers, 1–2–3–4–5–6–7–8.

Check out these Lang Lang recordings: Etude, Op. 10, No. 3 (Tristesse), by Frédéric Chopin; Yellow River Concerto: Prelude: The Song of the Yellow River Boatman, written by a group of Chinese composers of the group. If you are unsure, follow the lead of others in the audience. At the opera the conventions are a little different; the audience might interrupt with applause after a particularly fine delivery of an aria or an ensemble number. You might be surprised at the formality of the performers’ dress.

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